Altogether, around eight weeks of work in total. Discover FX9, Sony’s full-frame 6K sensor camera with Fast Hybrid AF, Dual Base ISO and S-Cinetone™ colour science. In a nutshell, Version 2.0 expands the camera’s shooting and recording capabilities by including FF Crop 5K mode, new 4K DCI options, User 3D LUT support, RAW output support, HDR Support, AF Improvements, added frame rate options for … However, I was disappointed, since the weather and conditions just didn’t cooperate. Overall, I think you’ll find the DR of the FX9 to be very good, especially keeping in mind this an $11k camera, not a $50k or $80K digital cinema camera. It’s why Sony has become a powerhouse in the market segment of event, corporate and reality shooting with two models—Sony’s PXW-FS7 and FS7 MKII. No spam, guaranteed! Sensor. For the best autofocus results, however, a native E-mount glass is needed. On the first day, we had light rain and no wind, and on the second day, the sky brightened up, but there was still no wind. Should you opt for a locking mount? Image credit: Philip Bloom. The white square is then marked with a yellow line. Sony’s answer to this entirely new obsession with sensor size is the new PXW-FX9 digital cinema camera, one of its latest XDCAMs, which Sony says is the first featuring “an advanced 6K full-frame sensor and Fast Hybrid Auto Focus (AF) system.” But taking a look at the FX9’s design, layout and feature set, it’s hard to not see it as the heir apparent to the Sony’s PXW-FS7 and FS7 MKII. It has a useful quick-setup lever and it can be rotated as well. Note the windows behind him, which were not tinted or ND gelled. It has a 16-bit RAW output on it via a BNC connector. Autofocus: The FX9’s AF was exceptional when tracking faces in interviews. The FX9 S-Cinetone Gamma setting helped me to easily and quickly dial in an image straight out of camera that looks really good, like this interview shot at a post house screening room with a film restoration expert. For these shots, the noise level of the FF sensor was great, even at the high base ISO of 4000. Sony FX6 on the new Sachtler Aktiv head with a Flowtech tripod. It was a somewhat strenuous trek, but I was rewarded by a spectacular sunset, and the FX9 was a joy to shoot with. Sony PXW-FX9 & PXW-FX6 Group for owners & videographers interested in the "Cinema Line" from Sony. The Camera for news and journalists? The Sony PXW-FX9 utilizes the same Sony XQD card format as the FS7 and FS7 MKII. I won’t go in-depth on every feature and specification available on the FX9, but here are some of the headline features and what’s significant about them: Sony’s Exmor R CMOS Sensor Full-Frame Sensor: In actual use, the extra light-gathering ability of the FF sensor was handy when using the FE PZ 28-135mm f/4.0 G OSS lens for interiors and interviews. Zunow SWV-E11 11-16mm E-Mount F2.8 Zoom Lens. It allowed me to capture subjects with movement. Really regretting my purchase and feel very misled by all the online reviews/marketing as this is a key feature on the camera and there are no alternatives/work arounds. This data can then be used with a Catalyst Browser to stabilize the footage during post-production. For slow-motion in 1080p (up to 120fps), you need to change the scanning mode to 2K (full-frame), which scans the sensor in a lower resolution so it degrades the image quality a bit. The FX9 review does not cover as many aspects of the camera as the FS7 review, but it covers these topics much more in-depth. Paying attention all the way through the end of a project is critical to success, A look at the most innovative digital cinema gear to hit the market this year, 2020 has been a very challenging year for those of us in production. Also, for $11,000, it has a lot of quality and a robust feature set. It’s generally how I can tell how these cameras behave on real-world shoots in paying, high pressure, one-take situations. Image credit: Philip Bloom. I should not have used face really. Also, I was impressed with Sony’s AF technology, which is probably the best in the business. ... a7s iii fx9 philip bloom sony sony fx6. Since then, Philip spent two weeks of filming with the FX9 in November (with the pre-release firmware 0.5) and then on and off for the next three months (release firmware 1.0). What I showed in that section was how you move the cursor for object selection. But it’s not 6K. With the introduction of their new PXW-FX9 XDCAM, Sony is taking one of their most significant steps towards combining many of their best technical innovations and tools into a single category-defining device. Like VENICE, the FX9 includes S-Log 3 and S-Gamut 3 Cine but Sony added a new color science called S-Cinetone that's said to have a more accurate color gamut and skin tones for a better cinematic look. The first time I see in a video how complicated it is to select another face with the joystick. When there are more faces, the camera chooses the dominant one and keeps the focus on it. He also said that “autofocus is not simply a switch to turn on and everything is magically in focus, it takes skill and practice to get the best out of it.”. There is no RAW from this camerea yet, probably we need to wait for update :),the PrRes Raw, can not be edited in Davinci Resolve . Face-Only Mode stays on the subject’s face and when it disappears from the frame, the camera does not refocus to the background. Thanks Philip! A 16x 24-384mm Sony G lens, built-in GPS tracking, full 1080p high-definition video with stereo sound, a 16 megapixel CMOS sensor, high-resolution 3-inch screen, manual shooting mode, 10fps continuous shooting, 3D photos, and SD memory card support are all … When shooting surfers at a distance on a bright day, the ability to easily narrow the wider FF FOV to a S35 FOV helped me maximize the focal length of the FE 100-400mm f/4.5-5.6 G OSS zoom for a bit of extra reach. Sony FX9 does not have sensor stabilization, but it records data from its gyroscope. Most projection systems aren’t very bright, especially in comparison to the lighting output you’ll use to light your talent. VCT Base Plate. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. S-Cinetone And SOOC Colors: In the past, clients have asked me to shoot with the SOOC (Straight Out Of Camera) colors in mind. For ISO values between 800 and 4000, Philip recommends using the higher base of 4000 and dialing the ISO down as it produces a cleaner image (tested in S-Cinetone). At the core of the Sony FX9 is a brand new full-frame 6K sensor designed to output to UHD 4K at up to 60fps. It is possible to tweak various aspects of the AF, like transition speed, sensitivity, and so on. Leave a Reply Cancel reply. B4 mou… With the review unit Sony sent me, they sent an older 28-135mm F4. Now, I’m happy to say it gives the 4K footage tremendous detail and looks very good. I positioned myself at the mouth of the harbor, up on a breakwater, where I also photographed pelicans, herons feeding, and boats entering and exiting the harbor. The autofocus struggles for instance with a dark face and bright background or when there are many faces in the frame. The market segment that buys and uses the FS7 and FS7 MKII rarely would ever need RAW recording. I did make one discovery while shooting: When you shoot S&Q (slow and quick) frame-rate footage, the FX9 is manual focus only, a challenge when shooting moving subjects at a 400m focal length. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria, MTF Services Converts SIRUI 50mm and 35mm Anamorphic Lenses to L-Mount, TDM Audio Pro UVC Case Disinfects Your Microphones, GoPro Karma Drone - Controller Pairing Issues, Boris FX Mocha Pro 2021 adds PowerMesh Tracking, MZed Course Review – The Art & Technique of Film Editing with Tom Cross, Panasonic LUMIX BGH1 First Look Review & Mini Documentary, Astera NYX Review - The Quest for the Perfect Cinema Lightbulb, Free Sony FX9 Tutorial, 3.5 Hours Long, with Alister Chapman. Next Post. Thanks! He praised its reliability. Overall, though, the FX9 behaved well, and the images are great. Keep up to date with all our latest news! The 1080p 120fps footage still looks quite nice according to Philip. He uses the one from Zacuto, which allows the camera to slide backward and forward easily. These are exactly the two things that the Sony FX9 aims to fix. An important note is that the autofocus only works when the camera’s frequency matches the framerate. Philip sent his findings to Sony, so hopefully, they can fine-tune the AF even more with future firmware updates. I even drove more than 100 miles up and down the Southern California coast at several spots that are popular with windsurfers. Thank you Philip. It means the camera needs to be able to handle a decent amount of dynamic range to expose the talent and the projection behind them evenly. I decided to take the camera to the harbor to shoot footage of whatever I could find there. Sony FX9 Review – Sensor Modes. On the same shoot, I switched the camera from Slog3.Cine gamma to the S-Cinetone gamma—the producer requested that I achieve a usable look straight out of camera—and we both were happy with how the FX9 rendered skin tones on our talent. The advantage of this is a much more sturdy and secure lens-body connection, but you have to put your camera down to change the lens if you are doing it alone. First off I was finishing my MZed course then this monster swallowed up all my time! Sony FX6 view with the Sony FE 24-105mm f/4 G OSS lens. With the FX9, Sony provides a potential option for RAW capture. Sony FX9 Review – Face tracking autofocus did not function 100% of the time. It is, admittedly, not my favorite lens. As of today, the FX9 only records in two raster sizes: FHD (1920×1080) and UHD (3840×2160). XDCA-FX9. This is going to be a short blog post for now. This offers a different tool than the focus pull – it still keeps the main subject in focus, but slowly reveals or hides everything else in the frame. The stabilisation doesn’t work on long clips shot at UHD 60p. If you love the form factor and usability of a real cinema camera for shooting video but have stuck with mirrorless due to the full-frame sensors and advanced AF, then Sony now has the camera for you. To my eyes, skin tones in particular on both cameras have a specific blue/cyan quality, straight out of camera, that looks unflattering to me. We always use double opt-in, so please confirm your subscription by clicking on the link you will receive in an email after you hit "sign up". For this shoot, it was the first time I had a chance to use the FX9’s face detect/auto focus, and the results were impressive. Sigma MC-11 with new SIGMA lenses seems to have worked very well – almost like a native glass. Focus Hold is a useful function to keep the camera from refocusing when the AF-locked-face exits the frame. Its highest setting is in UHD (3840 x 2160) at 16:9. Image credit: Philip Bloom. So you’ll have to switch to S35 FOV to obtain 4K 60p recording. The FX9 uses the lever-lock version of the E-mount, so it is not possible to mount the lens using only one hand. FX9 has a dual base ISO of 800, and 4000 In my opinion, the footage looked good, and the FX9 behaved well in these extremely bright, contrast-filled conditions. Contrast this with the Sony, where you can dial in all of your shutter, ISO and aperture settings and then dial in the exact amount of the ND needed. I was impressed, and I think you’ll be pleasantly surprised at how clean and low-noise the ISO 4000 looks, particularly if you only have S35 camera experience with ISO 4000, whether with a dual ISO base camera or with just a fixed ISO camera with the gain turned up. As a conclusion, Philip tried to really push the AF capabilities of the FX9 to their limits and at times it really frustrated him. Building on the success of the Sony FX7, which the company once claimed is the most sold Super35 camera of all time, the FX9 boasts a newly-developed 6K sensor with more than … You then need to buy additional hardware: A future RAW-recording solution will likely require a separate third-party device, for an additional $1,500 to $2,500, to actually record the 16-bit output of the XDCA-FX9 back. As it stands I spent some time with it last week at the invitation of Sony. Canon has the C500 MK II, but it costs $16k, so it’s likely not in the same consideration as the FX6. Many of us would like to shoot sports and action using 4K 60p, so it’s good that the FX9 can accommodate this, but I was surprised that Sony couldn’t raise the bar a bit to give us 80-90 fps in 4K S35 mode and 60 fps with the FF sensor. It offers a nice way to mount and adjust the EVF or monitor without tolls. It depends on the lenses you are going to use it with. The 19 Megapixel sensor is an all-new design. With a price difference of $11,000 vs $6,000 did Sony kill the FX9 with the FX6 before anyone even started using it? FX9 Guide. He said, in terms of ergonomics, the FX9 is much better and more usable out of the box than the FS7 was. I was impressed at the painterly look I was able to achieve shooting this sunset on a local trail using the FX9’s Variable ND feature that allowed me to pan on and off the sunset while holding a similar overall exposure with smooth ramping of the ND to compensate. Before the Sony FX9, the fly-by-wire build of the 28-135mm was slightly lens responsive than I usually enjoy in a lens. In my view, no, or at least, very few do. Until now I thought with a touch of a button job can just shuffle through all faces that are recognized in the screen. Finally released, it covers many aspects of the camera – some of them very extensively. The FX9’s 15 stops of DR allowed me to hold a decent amount of detail in the windows while illuminating the subject with only two small LED panels and a diffusion disc. All Rights Reserved. Wow. Digital Camera World. We only send updates about our most relevant articles. Weighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6", it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. Vinten 100 Tripod Review; Wifeng WF717 Tripod. Philip recommends mapping Focus Hold to a function button. The Sony PXW-FX9 is a very intelligently updated version of the FS7 MKII. Sony, however, did not officially confirm this yet. It was predictable and ergonomically sound, and, most importantly, my clients found the footage to be great for their needs. It is, admittedly, not my favorite lens. Here are the results of my shoots: Shoot Number One–Santa Rose Trail: I’ve recently been in production on a project that has a spectacular sunset in the script, which gave me an opportunity to see how portable the FX9 is. It is all that those cameras offered but now on a state of the art Full Frame sensor with Dual ISO capable of 800 and 4000 depending on the needed use. In real-world shooting conditions, I found the FX9 to be a solid performer. Philip uses the Zacuto Top Plate. The Sony FS7 was Philip’s main documentary camera for many years. It doesn’t come as much of a surprise that Sony didn’t put the same sensor as the FX9 and VENICE in the FX6. Variable ND Filter System: Sony implemented an electronic variable ND filter into the FS7 MKII, and that same feature carries into the FX9. 6K, 4K, HD And Frame Rates: Although a headline feature, 6K isn’t really the showstopper you would think it might be with the FX9. The Sony FX9 camera review by Philip Bloom is a nearly two-hours long in-depth video review, which he shot over the last four months. The Sony FX9 has been introduced in September 2019 and selected industry professionals (including Philip Bloom and cinema5D’s Nino Leitner) had a couple of hours to play with the camera. However, after using the Sony FX9 autofocus with the … 10-16. It’s based on the improved color science of the Sony VENICE. Fortunately, I saw a class of lifeguards on the beach, running in and out of the water and up and down the beach. Sony FX9 As a comparison to the FX6, the FX9 utilizes the same sized 24.8MP 36.2 x 24.1mm full-frame CMOS sensor that is found in the FX9 and the VENICE. The lenses were the Sony 50mm f1.8 which costs around $350 USD and the 28-70mm f3.5-f5.6 zoom that costs about $400 USD and is often bundled as a kit lens with some of the A7 series cameras. Sony offers the FX9, just above the … As image sensors get larger and resolutions get higher, it is becoming more difficult to keep things in focus. EF to PL mount (PM-V1) 3. We are also working with it and are preparing tests on the camera around various aspects of it. It’s a tug of war between the $3,500 a7S III and the $11,000 FX9. As there are not many good oss lenses out there for emount and the gyro stabilization definitely degrades image quality and you cannot even use oss. The camera cost twice as much as the FX6. Full-frame is now also only available up to 30fps. He does not recommend changing the Sony top handle though. Sony is the first to offer a full-frame cinema camera in this price range. The FX6 features the same 627-point Fast Hybrid AF system found in the FX9 and Sony’s Alpha mirrorless cameras, including advanced Face Detection and Real-time Eye AF. In its segment, I think the FX9 is going to be hard to beat for working pros in the corporate, event and reality markets. The Face Registration function can keep the focus on a particular person and not care about the other faces in the frame. So this is why I haven't uploaded a video to YouTube since December! Some cameras are really simple to do but this one wasn’t both in the camera itself and the wider picture. The Sony Cyber-shot DSC-HX9V is a new travel-zoom compact camera that seemingly offers all of the latest must-have features. Creatives tips and inspirational stories for filmmakers. Shoot Number Three–Interview Day: For our interview with a film restoration artist, we set up shop in the screening room at Post Haste Digital in Los Angeles, which would be a good test of the FX9’s dynamic range. You need to pay $2,199 extra for a locking EF mount (called EF-C) from Canon. The FX9 uses the same BP-U batteries like the FS7 but it draws power more quickly – about a one third quicker according to Philip. Extension Unit for FX9 camera. One of the most important topics is the camera’s autofocus. If you want to capture RAW video, you may be disappointed to learn that the FX9 doesn’t (and probably never will) have the ability to record RAW internally. Best Cinema Camera? 6K, 4K, HD And Frame Rates: Although a headline feature, 6K isn’t really the showstopper you would think it might be with the FX9. Shoot Number Four–Harbor Shoot: For my last day with the FX9, I decided to capture windsurfers. This article shortly summarizes his review. As I mentioned earlier, as of today, it only records a 6K image but downsamples it to 4K (UHD). SAN DIEGO, Sept. 13, 2019 /PRNewswire/ -- At IBC 2019 in Amsterdam, Sony today unveiled the PXW-FX9, its first XDCAM camera featuring an advanced 6K² full-frame sensor and Fast Hybrid Auto Focus (AF) system.The new camera offers content creators greater creative freedom and flexibility to capture stunning images that truly resonate with audiences. A big chunk of Philip’s FX9 review, therefore, was dedicated to its autofocus. The Sony FX9 full-frame cinema camera has been out on the market for a few months now. The Sony FX9 screen does not have a touchscreen function. It is simply a case of moving the cursor to the face you want by tapping left or right on the d pad or joystick. Find helpful customer reviews and review ratings for Sony PXW-FX9 XDCAM Full-Frame Camera System (Renewed) at Amazon.com. EF locking (CM-V1) 2. And once again, the face detect/auto focus behaved flawlessly, even under low lighting levels. In many real-world scenarios, however, it was performing very well and the AF was reliable most of the time. There is a rumor that the display actually is a touchscreen, it is just not enabled. Sony rates the FX9 at 15 stops, the same as the Canon C200 when shooting Cinema RAW Light in Clog 2. Manual focusing gets even more complicated with photographic lenses which have short focus throw and sometimes even non-linear (fly-by-wire) focus wheel. Philip dedicated a part of his review to talk about useful FX9 accessories. The AF box tracked the talent like glue and never wavered even once. Philip compared this review with his old review of the Sony FS7 from 2015, which was nearly 50 minutes long. Although the sensor resolution is 6K, the camera does not (yet) record 6K video (in fact, the XAVC-I codec does not support a resolution larger than 4K). Here’s why: We needed to achieve a flattering image, but it would have to be a low-light level on the talent, since we needed to project images and footage from her work on various film projects, all from the silent film era, in back of her. It was roughly 2.5 miles from the parking lot to the spot I chose. And while it’s not a perfect cinema camera, when you go down its list of headline features, there is a lot to get excited about. To answer these questions I took a pre-production FX9 into the nearby town of Windsor with a couple of cheap Sony E-Mount lenses. But this way it takes way too long. Announced back in April and scheduled for release in October 2020, Sony FX9 Firmware 2.0 is now available for download a month ahead of the planned date. In doing so, they’ve produced an excellent camera with a very capable full-frame 6K sensor package. The Sony FX6 has arrived to great acclaim.. No Film School got hands-on with FX6, and we thought it a fantastic camera complete with features you want as a videographer.But that's just our opinion. There are more crop modes of the 3:2 sensor. Image credit: Philip Bloom. For at least the past year or so, the digital cinema camera market has become obsessed with full-frame sensors and using them to record a full-frame image using a 6K or 8K raster, which raises the question: Does anyone really need 6K or 8K acquisition? The Canon C500 Mark IIis definitely more expensive on paper. Jakub Han is a freelance filmmaker based in Vienna. But like it or not, the digital cinema camera business has turned into a sensor- and raster-size arms race. If felt the footage looked wonderful with saturated colors that look appealing without appearing cartoon-like. The FX9 uses a 6K sensor, which downsamples to 4K, and is capable of cropping to S35 for use with a wider assortment of lenses. Sony FX9 Review – Face tracking autofocus. The Sony HX99 is a tiny camera with a massive zoom. I didn't know what it was going to be before hand and even though it isn't officially this, for me this is the true FS7 II, the true successor. Before the Sony FX9, the fly-by-wire build of the 28-135mm was slightly lens responsive than I usually enjoy in a lens. It makes for a very good and versatile everyday travel camera that easily fits in your pocket. There’s an external solution, but it’s pricey: You’ll need Sony’s optional XDCA-FX9 extension unit, which costs $2,498 extra. Venice Version 6.0 firmware, to be released in November, adds the ability to import a new Advanced Rendering Transform (.art) file, including a new “Technicolor-look library,” a second user frame line and expanded high frame rate (HFR) capabilities. Zacuto extension arm for the grip. If you’re using cine lenses or heavier zoom lenses then definitely yes. Review of the Sony PMW-200; Sony FS100 and F3 Video Review; Sony NEX-EA50 Review. Other useful, but not essential accessories could be: What do you think of Philip’s FX9 review? He tested various cameras throughout his career and for the past four months, he has been playing with the Sony FX9. So, by the time I made it to the top of the cliffs, I had had a pretty good workout and needed to rest a couple of times. One thing Sony tends to do better than many of its competitors in the pro cinema camera market is to read and respond to market segment demand. 19th November 2020. It will keep looking for a face and when that again reappears, it will track it and keep it in focus. So, what I shoot is what they get. So this is why I haven't uploaded a video to YouTube since December! Finally released, it covers many aspects of the camera – some of them very extensively. During an interview or portraiture shoot, you can rely upon Eye AF to capture your subject’s most subtle expressions while you concentrate on the interview and framing. Marketplace. it is just the touch of a left or right when you have a yellow cursor one the box, just like any other camera. I shot three interviews with the FX9—and all were very flattering, SOOC. Shoot Number Two–Interview Day: I shot three different interviews—all set in different locations of an LA library—for director Robert Bader. If you are in the market for this type of camera, you should borrow, rent or evaluate it because I think the FX9 will be a relevant camera in our extremely fast-changing market for years to come. Currently, there is no animal recognition autofocus on the FX9 like there is in the Sony Alpha series. That’s why we decided to publish this article about the review. We have already published a few useful articles about the FX9, like the: Philip Bloom is a filmmaker based in the UK, well known for his contributions to the community over many years. Copyright © 2020 HD Video Pro. The only two things he missed about the Sony FS7 was its low light capability and the poor autofocus performance. Sony says the Exmor R sensor provides 15+ stops of dynamic range and has a dual base ISO at 800 and 4000. I also found the FX9’s Face Detect feature flawless: When shooting three different interviews in three different lighting setups and locations, including a couple that appeared in a low-contrast, moody type of lighting, the FX9 nailed focus on the constantly moving subjects every time. Jakub has over 7 years of experience with camera work and post-production. The FX9 isn’t the best camera for every user and application, but it’s a very good, solid, all-around, versatile digital cinema camera. What this means is that if RAW recording capability is important to you, the PXW-FX9 may not be the right choice. As mentioned in the video, autofocus in video cameras needs to really be accurate, smooth, and reliable. Even with these limitations, I never thought I’d say it, but overall, the FF sensor is a distinct advantage over only having a S35 sensor. The low light performance is much better than it was with the Sony FS7 and the image seems fine and clean even at ISO 12.800. © 2020 All rights reserved. The Electronic Variable ND Filter (eND) is implemented better than in the previous Sony cameras according to Philip. Since I was handling the audio myself as well, I was happy the FX9 made that task easy. Currently, the FX9 has a firmware version 1.0, but it is still missing some features like a full-frame slow-motion, 6K resolution recording (not sure if it will ever come), 4K and 2K DCI modes, a 5K crop mode, and some other features, many of which are coming later with future firmware updates, expected in summer 2020. For higher frame rates it is necessary to switch into a Super35 mode. I believe that the Canon and this Sony are likely seeing about 13.5 usable stops, rather than the claimed 15 stops, but regardless of that, I did see a nice distribution of DR and latitude when I pushed the FX9 as hard as I possibly could shooting a couple of sunset scenes. sorry when I went from person to person that was not for switching between faces that was just to show how you can use the camera to do focus pull. First-Look Review: The Olympus OM-D E-M1 Mark III In Costa Rica, Hands-On Review: Blackmagic Design Pocket Cinema Camera 6K. Sony FX9 and Sony FX6. This was the hardest camera review I have ever made. The FX9 has a dual ISO sensor, the lower native ISO is 800 and the higher native ISO is 4000. The SHAPE extension arm is also very nice. The FX9 AF held the pelicans isolated against a gray, featureless sky in sharp focus—a very high keeper rate. Compare that with the FX9 – much lower high frame rates – only 30p without crop – and no autofocus whatsoever once you go into the S&Q high-speed recording modes. Here again, I used the FX9’s high ISO base of 4000, which looked good, even though I was using the relatively slow Sony FE 28-135mm f/4.0 OSS G lens. Very comprehensive and useful! Philip invested a lot of time into the review and we think it could really benefit our readers who own the FX9 or who are thinking of buying the camera. JVC-HM650 Review. Read honest and unbiased product reviews from our users. It is quite expensive and bulky though. What’s more is that the FX9 only shoots higher frame rates if you window the sensor down to S35 size. Image credit: Philip Bloom, Philip does not think the autofocus is going to replace the manual focus workflow and focus pullers in the near future. 15 Stops Of Dynamic Range: In real-world shooting, most of us are satisfied with cameras that can record 12 stops of DR and up. Sony FX9 Review – Variable eND. The face tracking was not that reliable with adapted glass. The lenses I used were fairly slow zooms—the FE PZ 28-135mm f/4.0 G OSS and the FE 100-400mm f/4.5-5.6 GM OSS. Canon sells the following two adapters, both with shim kits: 1. But that’s not when I am not carrying an 18-pound camera in one hand, a 22-pound tripod on the opposite shoulder and a 15-pound backpack on my back.
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